Pentax has outed another in the company’s range of unusually colored DSLRs, this time a limited edition of 100 rainbow K-r cameras. Supposedly the result of customer demand, on the inside it’s the same 12.4-megapixel shooter previously offered in white, black and red, complete with a 3-inch 920k dot LCD display, 6fps shooting for up to 25 frames, in-camera HDR editing and a 100 – 25600 ISO range, but on the outside it’s an eye-catching (if not eye-watering) array of colors and a matching lens.
That lens, incidentally, is a PENTAX-DA 35mm F2.4 prime, though obviously you can use any existing sober black lenses you might already have. The odd head attached to the hot-shoe blocks the pop-up flash, Pentax warn, which seems a somewhat odd compromise to make in the name of style.
Still, we’re sure Pentax has done its sums and worked out that there are enough interested parties to account for the mere 100 units when they go on sale in early January 2011. Sticker price will be 99,800 yen ($1,203).
Nikon has outed its D7000 DSLR, a 16.2-megapixel camera with 6fps shooting, a 39-point AF system and full HD 1080p video capture (with continuous autofocus). The Nikon D7000 effectively replaces the D90, promising improved low-light performance and the new EXPEED 2 engine with its 14-bit Analog / Digital conversion.
There’s also a native ISO range of 100-6400 (extendable to 25,600), dual SD card slots, 3D autofocus tracking and an HDMI output, all wrapped up in a chassis that uses magnesium-alloy top and rear covers and is dust-sealed. The viewfinder offers 100-percent coverage, and there’s a 3-inch 920k dot LCD on the back, too.
Meanwhile our old friend Chase Jarvis has been playing with the D7000 for the past few months, and has been putting the new Nikon through its paces. He shot the Full HD video you can see below using the D7000, and you can check out his sample pictures here.
The Nikon D7000 will go on sale in mid-October, priced at $1199.95 for the body only or at $1499.95 for a body and lens outfit that includes the AF-S DX Zoom-NIKKOR 18-105mm f/3.5-5.6G ED VR lens. The company also has two new pro-level lenses, the AF-S NIKKOR 35mm f/1.4G and AF-S NIKKOR 200mm f/2G ED VR II.
Press Release:
Evolution Of The Revolutionary: The Nikon D7000 D-SLR Is The Preeminent Digital Camera For Demanding Photo Enthusiasts
The D7000 Offers Creative Freedom with Advanced Features Such as a New 16.2-Megapixel DX-Format CMOS Sensor, Six FPS Shooting, 39-Point AF System and 1080p HD Movie with Full Time Autofocus
MELVILLE, NY (September 15, 2010) – Nikon Inc. today introduced the new D7000 digital SLR camera designed to fulfill the needs of passionate photographers who demand exceptional performance, reliability, and unprecedented levels of control and versatility in a compact form factor. Engineered as an ideal balance of durability and functionality, the D7000 D-SLR features a multitude of new enhancements and updated Nikon technologies, which results in stunning photos and amazing full HD (High Definition) movies.
Continuing the tradition of innovative technology that began with the revolutionary D90, the first D-SLR to capture HD movie, the D7000 features a new 16.2-megapixel CMOS sensor with low-light ability never before seen in a DX-format (APS-C) camera. The new EXPEED 2 TM image-processing engine fuels the enhanced performance of the D7000 along with a new 39-point AF system and groundbreaking new 2,016 pixel RGB 3D Matrix Metering System to deliver amazing image quality in a variety of shooting conditions. Additionally, the D7000 D-SLR provides full 1080p HD movie capability with full-time auto focus (AF), enabling users to capture their world with both striking still and moving images.
“The D7000 D-SLR creates a new class of Nikon camera by delivering exceptional quality, control and an innovative feature set; this is a camera that enables D-SLR users to achieve a true expression of their creative vision, while concentrating primarily on image quality above all else,” said Lisa Osorio, general manager of marketing at Nikon Inc. “When you combine the innovation of the agile D7000 with the exceptional and robust line of NIKKOR lenses and accessories, the potential for D-SLR photographers and filmmakers is limitless.”
Unparalleled Performance From Unrivaled Technologies
With its new 16.2-megapixel CMOS image sensor and Nikon’s new EXPEED 2 image processing system, the D7000 D-SLR delivers superior image quality with low noise. The EXPEED 2 image-processing engine combined with a 14-bit Analog / Digital conversion brings a new level of even tonal gradations while managing color, contrast, exposure, and noise resulting in brilliant image quality. EXPEED 2 also manages the D7000’s speedy 50-millisecond shutter response, blazing AF speed and rapid six frame-per-second (fps) burst speed for up to 100 images.
The D7000 D-SLR features an all-new 39-point AF System, which includes nine center cross-type sensors that operate with more than 60 NIKKOR lenses. The 39 points in the new Multi-CAM 4800DX AF module work together to provide superior subject acquisition and fast tracking capabilities, allowing photographers to confidently capture a player stealing third from the sideline to fast-moving wildlife. Additionally, photographers can activate dynamic or single point AF, configurable in combinations of 9, 21 or 39 or a 21-point ring to match a variety of shooting styles and situations. Photographers can activate 3D tracking, which continuously follows moving subjects within the 39 AF points, highlighting the activated AF point in the viewfinder.
Utilizing Nikon’s exclusive Scene Recognition System, the camera analyzes subject information from a database containing more than 30,000 images to optimize focus, exposure and white balance. To assist in creating amazing imagery, the Scene Recognition System reads data from a groundbreaking 2,016-pixel 3D Color Matrix Meter RGB sensor that examines the scene’s brightness and color data then optimizes the camera’s performance prior to the actual exposure. Another revolutionary Nikon first, this system interprets scene data for improved control of light metering and i-TTL flash output. Additionally this new sensor allows for a new “Ambient” white balance setting which can be activated to allow warm rendering in Automatic White Balance.
Nikon Continues the Low-Light Fight
The D7000 D-SLR continues Nikon’s tradition of providing photographers the confidence to shoot in low-light, knowing they will capture high quality low-noise images. The camera’s native ISO range of 100-6400 affords the versatility to photograph in challenging lighting conditions, such as when indoors or in the evening. The ISO range can be expanded to a Hi-2 setting of 25,600, which was previously found only in Nikon FX-format territory. The resolution of the camera renders a pixel size of 4.78 µm, which allows more light to be gathered, resulting in a correctly exposed image that has less noise and finer grain.
Full 1080p HD Movies with Advanced Video Features
Building upon the popular D90 D-SLR, the Nikon D7000 captures breathtaking full 1080p HD movies with full-time autofocus and manual exposure control. To keep critical HD focus, users can choose to engage a variety of AF functions, including face priority to track up to 35 human faces, subject-tracking and normal or wide-area autofocus.
Advanced movie features also allow exposure adjustment on the fly while recording. The D7000 D-SLR offers variable frame rates and resolutions, and can record 1080p at a cinema-like 24 fps, or a web-friendly 720p at either 24 or 30 fps for up to 20 minutes per clip. Once recorded, users are able to edit and trim video clips in the camera to save time in post production. Whether utilizing a wireless or hot shoe mounted microphone, sound can be recorded via the stereo microphone input for professional audio results.
To further simplify movie shooting, Live View is activated by a single dedicated switch, and HD video recording is achieved by pressing a single button. The D7000 D-SLR also incorporates a built-in HDMI output CEC compliant (Consumer Electronic Control) that allows users to connect it to a HDTV and playback with most HDTV remote controls.
By adding versatile NIKKOR lenses to the equation, photographers can create a variety of photo perspectives to video such as isolating subjects with a shallow depth of field, and recording in low-light conditions. Combining the D7000 D-SLR with NIKKOR lenses also delivers the sharpness essential for HD video, and Nikon’s innovative Vibration Reduction (VR) II technology helps to eliminate the effects of camera shake.
No Compromise: Enhanced Build Quality, Durability and Usability
The compact design is lightweight enough for a full days use, but has a reassuring heft that hints at Nikon’s reputation for reliability. The durable camera body consists of a magnesium-alloy top and rear covers and a 150,000 cycle-rated shutter system. Additionally, the D7000 D-SLR is dust and moisture sealed and features Nikon’s dust reduction system to remove image-degrading particles from the image sensor. Among the well laid out ergonomics, users will immediately notice a new Mode Dial that eschews traditional Scene Mode icons for more advanced manual functions and two user-defined settings (U1, U2) to adapt to a users shooting style on the fly. Placed under the control wheel is a Release Mode dial, which allows access the burst modes, timer, or the Quiet Shutter, to soften the cameras operation when shooting in sensitive environments such as a ceremonies or nature.
When framing lush landscapes or tight telephoto shots from afar, users will appreciate the large, bright glass pentaprism optical viewfinder has approximately 100% frame coverage and approximately 0.94x magnification. The three-inch, 921,000-dot super-density LCD monitor with 170-degree viewing delivers bright, crisp image playback and precise Live View and movie shooting.
The D7000 D-SLR features twin SD card slots with SD, SDHC, SDXC memory card compatibility that offers several recording options including designating separate NEF (RAW) JPEG and movie files. The built-in i-TTL Speedlight flash offers coverage for lenses as wide as 16mm and has Wireless Commander support so users can choose how to light their subjects. The D7000 was designed to provide maximum performance with minimized power usage and also employs a new EN-EL15 battery which enables up to 1050 shots when fully charged.
Nikon Technologies That Empower and Inspire
The D7000 D-SLR contains many features aimed at empowering the user with creative freedom including the ability to process RAW images directly in the camera, and add in special effects using the retouch menu. Among the many editing options are color filters, distortion control for a fisheye effect, perspective control for a miniature effect, or a new color sketch filter that creates a sketch-styled image. As always, manipulated images are saved as copies while the original is retained.
The Picture Control system also allows the choice for Standard, Neutral, Vivid, Monochrome, Portrait, or Landscape settings to apply a personal look and feel to their pictures, and it’s versatile Scene Modes let them choose from Portrait, Landscape, Child, Sports, Close-up or Night Portrait for stunning results even in challenging conditions.
Price and Availability
The D7000 D-SLR camera will be available throughout the United States beginning mid-October 2010 at an MSRP* of $1199.95 for body only and $1499.95 for body and lens outfit that includes the AF-S DX Zoom-NIKKOR 18-105mm f/3.5-5.6G ED VR lens. For more information, please visit www.nikonusa.com.
*MSRP (Manufacturer’s Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Pentax has revealed its latest DSLR, the 12.4-megapixel Pentax K-r, complete with a new 35mm lens to go with it. The K-r – which will be available not only in sober black but in Stormtrooper white and brazen hussy red – has a 3-inch 920k dot LCD display, 6fps shooting for up to 25 frames, in-camera HDR editing and a 100 – 25600 ISO range.
It can also record 25fps 720p HD video, packs an 11 point SAFOX IX autofocus system and has a maximum 1/6000 second shutter speed. There’s also a homegrown shake reduction system and a dust-removal mechanism.
As for the companion lens, the Pentax DA 35mm F2.4 AL is targeted at entry-level DSLR buyers (though it will work with all the company’s models) and will be priced at $219.95 when it arrives in October. As for the Pentax K-r DSLR, that will be $799.95 body-only or $849.95 as the K-r Lens Kit with an 18-55 lens. Two further double lens kits will be available, pairing the K-r with the 18-55 lens and either the 50-200 ($899.95) or 55-300 ($999.95) lenses.
Press Release:
PENTAX ANNOUNCES K-r DIGITAL SLR AND NEW 35MM LENS
GOLDEN, CO. September 8, 2010…PENTAX Imaging Systems Division has announced a new digital SLR line with color accents that allow owners to choose one that matches their personal style. The colorful PENTAX K-r DSLR camera offers advanced yet simple to use features at an attractive price.
The compact, lightweight PENTAX K-r is easy to use with Auto Picture, Scene, and Custom Image Processing modes that take the guesswork out of shooting stunning images while still offering a high degree of manual and priority control. The K-r offers a variety of new and improved features including a fast framerate, high ISO sensitivity, responsive autofocus, an improved 12.4 megapixel low-noise sensor and widescreen HD video capture that take it a step above an entry-level DSLR camera.
Key features of the PENTAX K-r that are new or have been improved upon from the most recent entry to mid-level PENTAX DSLR models include:
• Three stylish color choices include traditional black, the new classic white, and PENTAX red reflect any owner’s personal style.
• Large 3 inch LCD with 921,000 dots of resolution.
• Faster high speed 6 FPS framerate that captures 25 images in a single sequence.
• A maximum 1/6000 second shutter speed.
• Viewfinder focus point indicator.
• Improved in-camera HDR image capture including a Night Scene HDR mode.
• High sensitivity 100-25600 ISO range with improved noise performance from the new 12.4 megapixel CMOS sensor.
• Versatile dual-power-source design, which offers the choice of either a rechargeable lithium-ion battery or four AA-size battery power (using optional AA Battery Holder D-BH109).
• Infrared data transfer compatible with the IrSimple™ high-speed infrared data transmission system for wireless data transfer to the web or other IrSimple-compatible devices (includes a match-game between two PENTAX K-r’s).
Other important features of the new K-r models include:
• Widescreen 720p HD video at 25 FPS.
• PENTAX-original Shake Reduction mechanism for sharp, blur-free images that works with every PENTAX lens ever made
• Dust Removal mechanism, to shake dust off the CMOS image sensor.
• Highly responsive and accurate 11 point SAFOX IX autofocus system with dedicated AF assist lamp.
• Wide range of in-camera image processing and special effects filters.
With a highly portable, compact and lightweight body in a choice of colors, the K-r holds appeal for busy parents, family memory-keepers, travelers and anyone who reflects personal style in all their pursuits including their journey into photography or videography as a skill or hobby. The PENTAX K-r digital SLR will ship in October 2010 for as follows:
K-r Body Kit $799.95 USD
K-r Lens Kit w 18-55 $849.95 USD
K-r Double Lens Kit w 18-55, 50-200 $899.95 USD
K-r Double Lens Kit w 18-55, 55-300 $999.95 USD
PENTAX also announced the smc PENTAX DA 35mm F2.4 AL, standard lens designed exclusively for use with PENTAX digital SLR cameras. This new lens is versatile enough to be used with a wide range of subjects and applications for high-resolution images with edge-to-edge sharpness.
It is a perfect choice for digital SLR beginners to familiarize themselves with the basics of using interchangeable lenses.
The PENTAX DA 35mm F2.4 AL lens also will ship in October for $219.95 USD.
More information is available here: www.pentaximaging.com and product images are available
here: www.pentaximaging.com/press/pressfiles.html An information video is available here:
www.pentaximaging.com/pentaxian1
PENTAX Imaging Company is an innovative leader in the production of a variety of digital cameras including weather resistant digital SLRs and stylish, compact, waterproof cameras, as well as lenses, flash units, binoculars, scopes, and eyepieces. For over 90 years, PENTAX has developed durable, reliable products that meet the needs of consumers and businesses. With headquarters in Golden, Colorado, PENTAX Imaging Company is a division of PENTAX of America, Inc.
Olympus’ new Micro Four Thirds plans have been outed, and you won’t have to wait long for the fruits of their development to arrive. According to 43rumors, on Tuesday August 31st the company will announce a new E-P2 kit complete with a black 17mm lens and matching external flash, together with two new lenses, while on September 14th there’ll be a new 12-megapixel Olympus E-5 to drool over.
The E-5 will apparently use Olympus’ TruePic 5 engine and have 11-point autofocus, various art filters, a 3-inch, 920k LCD and a microphone jack. It’ll also be able to record 720p 30fps HD video.
As for the two new lenses, due for announcement tomorrow, the first is the M.Zuiko ED 75-300mm f/4.8-6.7 tipped as the world’s smallest 600mm zoom, just 11.6cm long and allowing for “nearly silent” HD movie recording; that’ll be $899.99 when it goes on sale in December. Second is the M.Zuiko ED 40-150mm f/4.0-5.6, shown below, which will arrive in November for $299.99.
Canon has outed its latest DSLR, the EOS 60D, an 18-megapixel camera with Full HD video recording, a twisting & rotating 3-inch display, and a DIGIC 4 processor for in-camera RAW image editing. For the first time on an EOS model, users of the 60D will be able to tweak Picture Style, White Balance (WB), Color Space, High-ISO Noise Reduction, Peripheral Illumination Correction, linear distortion correction and chromatic aberration correction from the camera itself, rather than waiting until they have access to a computer.
Meanwhile there’s also a streamlined control system – Canon having squeezed the Multi-Controller and Set button inside a new Quick Control Dial – and they’ve even carried over some of the more entertaining filters from the mainstream PowerShot range. Of course, this is still a pro DSLR, so you get 9-point AF metering and 5.3fps burst photography.
The Canon EOS 60D will hit shelves in September, priced $1,099 body-only or in a kit – complete with Canon’s EF-S 18-135mm f/3.5-5.6 IS zoom lens – priced $1,399. Meanwhile the Canon BG-E9 battery grip will drop late in September, for $270. The company is also launching six new L-SERIES EF lenses and accessories, including the world’s widest fisheye zoom; more details in the press release below.
Press Release:
CANON’S NEW EOS 60D DIGITAL SLR CAMERA
UNLEASHES THE CREATIVE POTENTIAL OF DIGITAL PHOTOGRAPHY AND EOS FULL HD VIDEO WITH NEW IN-CAMERA IMAGING FEATURES
New EOS 60D Offers a Vari-Angle LCD Screen, EOS Full HD Video Recording, In-Camera RAW Processing and Creative Filters and 18-Megapixel Resolution Among Class-Leading Specs
LAKE SUCCESS, N.Y., August 26, 2010 – High-quality digital capture and skillful post-processing go hand-in-hand for superior end results, and more control over in-camera image processing means less time editing and more time shooting. At the same time, the overwhelming popularity of Full HD video recording with other current EOS Digital SLRs has led to customer requests for more advanced features such as manual audio level control and flexible LCD screens. Canon U.S.A., Inc., a leader in digital imaging, delivers all of these features and more with the new EOS 60D Digital SLR Camera. For the first time on an EOS camera, the EOS 60D DSLR boasts a three-inch Vari-Angle Clear View LCD screen, EOS Full HD video recording with manual overrides including audio level control, and in-camera functionality for RAW image processing plus Creative Filters to manipulate images after taking them. Designed primarily for advanced amateurs, the EOS 60D replaces the EOS 50D and boasts a broad array of new features that make it easier for photographers to add personal creativity to their images. Whether it’s capturing an overhead shot on the Vari-Angle screen at a graduation ceremony, or converting a color image to black and white for a nostalgic look, Canon is delivering in-camera features and functions that empower advanced photographers to capture, display and print the images they want.
“The EOS 60D has been designed to offer the image-capture and the Full HD video features customers are looking for as they continue to expand their photographic skills. The exciting new features of the EOS 60D make using a DSLR camera more attractive and easier than ever before. We want everyone to experience the great image quality a Canon DSLR can offer with features and functions that they will appreciate and use,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A.
Exciting EOS “Firsts”
For the first time in the history of the Canon EOS System, the new 60D camera features a large Vari-Angle 3-inch Clear View LCD screen with 1,040,000 dot/VGA resolution plus anti-reflective and smudge-resistant coatings for bright clear viewing from any angle. The new LCD screen is ideal for composing low-angle or overhead shots whether capturing still images or Full HD video clips.
Another first for the EOS system is the EOS 60D camera’s new Multi-Control Dial, which places a Multi-Controller and Set button inside the Quick Control Dial. This new control layout streamlines camera navigation for vertical as well as horizontal shooting and enables a cleaner camera design. Responding to customer requests, the EOS 60D also features a locking mode dial, which makes camera operation more secure by preventing inadvertent changes to the photographer’s selected shooting mode.
While the photography mantra of “get it right in the camera” still stands true, Canon’s new EOS 60D gives advanced photographers an edge with new in-camera features that enable users to enhance their images without a computer even after they have been shot. For the first time ever in an EOS camera, the EOS 60D features in-camera processing of RAW image files, new reduced resolution image copies, and post-processing creative image filters for exceptional flexibility in digital image rendering.
In-camera RAW image processing features include Picture Style, White Balance (WB), Color Space, High-ISO Noise Reduction, Peripheral Illumination Correction, linear distortion correction and chromatic aberration correction. These powerful in-camera editing tools will allow photographers in the field to produce optimized images on the spot and generate JPEG files at various resolution and compression settings for immediate sharing, without affecting the original RAW data.
Another great new feature for photographers-on-the-go is Canon’s new image resizing function. After capturing full resolution or smaller JPEG images, the camera can generate lower-resolution copies using menu commands. New lower-resolution settings include 1920 x 1280 for optimal display on HD televisions, or 720 x 480, ideal for immediate uploading to social networking and other photo sharing web sites. The original high resolution files remain unaffected by the image resizing function.
Available for the first time in an EOS camera are Canon’s new creative image filters. Familiar to Canon PowerShot users, these fun photo effects help make a great image more dynamic, even after it has been shot. Canon provides four artistic filters that allow photographers to capture an image and then create and manipulate a digital copy of it.
o The Soft Focus effect filter helps dramatize an image and smooth over shiny reflections.
o The Grainy Black and White filter can give a different nostalgic perspective to any shot.
o Canon’s “Toy Camera” filter deliberately adds vignetting and color shift for a creative option when shooting a colorful scene.
o Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon’s Miniature Effect filter, great when shooting any scene from a high vantage point.
Each of these filters can be applied to a captured still image in-camera to create a second “filtered” JPEG version, leaving the original RAW or JPEG file unaffected.
Another addition to the camera’s Live View function is Canon’s new Aspect Ratio feature whereby the Live View screen can display cropping lines for 1:1, 16:9 or 4:3 aspect ratios in addition to the standard 3:2 ratio. These cropping lines make it easier to compose images in Live View, and they can help to expedite printing when using Canon’s supplied Digital Photo Professional software. Custom aspect ratios are also applied to JPEG images whether captured directly in-camera or created with the EOS 60D’s in-camera RAW image processing function.
EOS HD Video: Continuing the Video Paradigm Shift
In addition to its new still capture capabilities, the EOS 60D features Full HD video capture at 1920 x 1080 resolution with selectable frame rates of 24p, 25p or 30p. Native 24p recording helps videographers achieve a more cinema-style look for their footage without the need for post-processing. The EOS 60D builds upon the great video capabilities Canon has introduced in recent DSLR cameras and packs them into a camera photo enthusiasts will love. Full HD video capture, along with selectable cinematic frame rates for both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards, will help the EOS 60D to be the camera of choice among film students and photography students alike.
The new EOS 60D camera’s movie mode also includes manual controls for exposure as well as manual audio levels in 64 steps, much like the latest firmware update for the EOS 5D Mark II HD-SLR. Users can set audio levels on the rear menu screen before shooting begins; once recording is initialized, audio adjustments are not possible. In addition, Canon has added an electronic Wind Filter to the audio controls within the movie shooting menu.
Canon has also included an in-camera movie editing feature, allowing users to shorten a video file by clipping segments from the beginning or the end, removing unwanted portions without outside software. This feature can dramatically accelerate workflow by reducing the time needed to upload video clips to a computer for further editing and assembly. The EOS 60D also includes Canon’s Movie Crop mode, which allows users to achieve 7x magnification when shooting SD video. Unlike the digital zoom feature found in many compact digital cameras, Canon’s Movie Crop mode crops the image directly from the CMOS sensor at full SD resolution to preserve image quality and still provide additional telephoto power.
Providing access to the right lens for any given shooting scenario, the EOS 60D DSLR camera is compatible with more than 60 Canon EF and EF-S lenses. The EOS 60D DSLR’s video functions are supported by two key proprietary Canon technologies, a DIGIC 4 Imaging Processor and a large APS-C–sized CMOS sensor capturing fine detail and color with an amazing cinematic depth of field. The Canon EOS 60D allows for three video recording modes – Full HD and HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio, all at selectable frame rates. The EOS 60D Digital SLR camera will record Full HD at 1920 x 1080 pixels in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); 720p HD recording at 50p or 60p (59.94) and SD video at frame rates of 50p or 60p (59.94). The EOS 60D features a dedicated button to initiate live view for both video and still shooting. Once engaged, the same dedicated button will start and stop video recording.
Valuable Additional Features
Along with the adjustable LCD screen, the new EOS 60D DSLR features a class-leading 18-megapixel Canon CMOS sensor, a proprietary DIGIC 4 Imaging Processor, a 9-point Autofocus system and Canon’s exclusive iFCL Metering System (Intelligent Focus, Color, Luminance) giving it the power of a professional-level camera. Capable of capturing fast action, the 60D DSLR can shoot full resolution still images up to 5.3-frames per second (fps). The EOS 60D records its images and video clips to the photographer’s choice of SD, SDHC or new extended capacity SDXC memory cards.
The 9-point AF system on the new EOS 60D features f/5.6-sensitive cross-type focusing on all nine focusing points. Like the EOS 7D, the center AF point is a hybrid of standard cross-type and special diagonally-shaped “X” cross, with high-precision sensitivity for f/2.8 and larger aperture lenses. Complementing the AF system, Canon’s iFCL metering system, identical to that on the EOS 7D and Rebel T2i, takes color information into account and includes a 63-zone dual-layer metering sensor that reads both illumination and color for consistent results in all lighting conditions, keeping exposure levels stable from shot to shot, even as the light source changes.
Photographers will enjoy shooting in low light thanks to the EOS 60D DSLR’s wide ISO range from 100-6400 (adjustable in 1/3-step increments from ISO 100-6400 and expandable to 12,800) allowing it to capture beautiful images without flash during family milestone events such as wedding ceremonies, while still being equipped with a built-in pop-up flash for shooting the cake cutting ceremony and reception. The EOS 60D’s pop-up flash features a built-in Integrated Speedlite Transmitter for control of up to two groups of off-camera EOS Speedlites without the need for an external transmitter, providing an economical solution for multi-flash shoots.
Making accurate composition more convenient, the EOS 60D’s optical viewfinder provides 96 percent coverage along with Canon’s built-in single axis Electronic Level Display, which utilizes the exposure level scale below the picture area to let the photographer know when the camera is level. The Electronic Level Display is also visible on the camera’s LCD screen in both Live View and Movie modes. An artificial horizon display illustrates horizontal roll, allowing the photographer to know when the camera is in a fixed level position. The entire camera has been durability-tested to 100,000 exposures making the EOS 60D a reliable as well as a powerful imaging tool.
Pricing and Availability
The Canon EOS 60D Digital SLR camera is scheduled to be delivered to U.S. dealers toward the end of September, and will be sold in a body-only configuration at an estimated retail price of $1,099.00[i]. It will also be offered in a kit version with Canon’s EF-S 18-135mm f/3.5-5.6 IS zoom lens at an estimated retail price of $1,399.00[ii]. The Canon BG-E9 battery grip is scheduled to be available toward the end of September and sell at an estimated retail price of $270.00[iii].
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with global revenues of US $35 billion, is listed as number six in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2010 list, and is on the 2009 BusinessWeek list of “100 Best Global Brands.” Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.
# # #
†Based on weekly patent counts issued by United States Patent and Trademark Office.
All referenced product names, and other marks, are trademarks of their respective owners.
Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.
[i] Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.
[ii] Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.
[iii] Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.
Press Release:
Canon focuses on Professionals by Introducing six new L-SERIES EF lenses and accessories
Canon Introduces the World’s Widest Fisheye Zoom Lens, a New Telephoto Zoom Lens and Two New Super Telephoto Lenses with Optional New Extenders
LAKE SUCCESS, N.Y., August 26, 2010 – Canon U.S.A., Inc., a leader in digital imaging, rounds out its Summer product introductions with four new L-series lenses and two new accessory extenders for professionals and advanced amateurs. Leading the introductions, the EF 8-15mm f/4L Fisheye USM lens is the world’s widest fisheye zoom lens, providing professional photographers and cinematographers with a unique optical tool for capturing 180º angle-of-view shots on all EOS Digital SLR cameras. Photographers looking for a broad focal length range with excellent image quality will enjoy the Company’s first L-series 70-300mm telephoto zoom lens, the new EF 70-300mm f/4.5-5.6L IS USM lens, delivering outstanding sharpness, contrast and color fidelity in a compact, lightweight form factor. Canon is introducing two new versions of its popular super telephoto lenses, the new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM super-telephoto lenses delivering incredible image quality at all apertures for professional photojournalists, sports and wildlife photographers. For professionals and advanced amateurs looking to push their L-series Canon telephotos to the limit, the Company is proud to upgrade its two popular extenders with the new Canon Extender EF 1.4x III and Extender EF 2x III for additional telephoto reach and exceptional clarity. Photographers will immediately notice that the latest Canon L-series telephoto lenses and extenders have a more neutral white tone compared to earlier models. This new shade of white will be used with all L-series telephoto lenses and extenders beginning in the second half of 2010. The introductions of these Canon lenses have been timed with Canon’s latest camera introduction, the Canon EOS 60D Digital SLR camera, designed for advanced amateurs and emerging professional photographers.
“Canon’s core has always been our optics, and we are constantly challenging ourselves to produce better and more advanced optical systems for our customers. These six new products advance the state of the art in Canon lens technology and provide new and innovative tools for professionals and advanced amateur photographers,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A.
Canon EF 8-15mm f/4L Fisheye USM lens
With its unique focal length range, the EF 8-15mm f/4L USM is the world’s widest fisheye zoom lens. It delivers 180º diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180º circular fisheye images for full-frame EOS models. Professional photographers and cinematographers will revel in the unique perspectives afforded to them through this lens, particularly when coupled with the highly popular full-frame EOS 5D Mark II DSLR camera. Canon’s new Fisheye zoom lens features both UD and aspherical lens elements to enhance image quality and is equipped with rubber gaskets and seals to enhance weather resistance. Canon’s proprietary SWC (Sub Wavelength Structure Coating) is used to minimize flare and a new fluorine anti-smear coating is applied to the front and rear elements to make lens cleaning easier than ever.
The Canon EF 8-15mm f/4L Fisheye USM lens is expected to be available in January of 2011 for an approximate retail price of $1,400.
Canon EF 70-300mm f/4-5.6L IS USM lens
Compact and lightweight, yet durable and professionally sharp, the EF 70-300mm f/4-5.6L IS USM lens is the ideal telephoto zoom lens for advanced amateurs looking for that extra reach to bring a subject in tight and close. Providing the power and durability to maximize every shooting opportunity, the Canon EF 70-300mm f/4-5.6L IS USM lens features two UD ultra-low dispersion glass elements for enhanced sharpness, L-series weather and dust sealing for shooting in harsh conditions, improved mechanical design, and streamlined ergonomics to help avoid inadvertent mode switch operation. The shapes of the lens elements and their coatings have been optimized to minimize ghosting and flare to produce high-contrast and high-resolution throughout the zoom range. A sophisticated floating system optical formula optimizes image quality at all distance settings and reduces minimum focusing distance by more than a foot. An updated optical image stabilization system compensates for camera shake up to an equivalent of four full shutter-speed steps, a full step improvement compared to earlier EF 70-300mm lenses. A new fluorine anti-smear coating is applied to the front and rear elements.
The Canon EF 70-300mm f/4-5.6L IS USM lens is expected to be available toward the end of October for an approximate retail price of $1,500.
Canon EF 300mm f/2.8L IS II USM lens
The Canon EF 300mm f/2.8L IS II USM is the 6th generation of a venerable family of Canon 300mm f/2.8 lenses that began in 1974, and have become famous for their exceptional sharpness, contrast and color fidelity. Ideal for a wide range of applications ranging from professional photojournalism and sports photography to nature and wildlife, Canon’s 300mm f/2.8 lenses have always led the industry with new technical advances in every generation. The EF 300mm f/2.8L IS II USM lens carries on this tradition with improved image quality, lighter weight, improved Image Stabilization and enhanced durability making it a great option for handheld work in the field. The optical formula of the new lens has been upgraded with the inclusion of two fluorite lens elements for improved image quality and reduced chromatic aberration. Helping to reduce arm fatigue, Canon has reduced the overall weight of the lens by 13 percent to 82.9 oz., making it the lightest weight lens in the Canon EF 300mm f/2.8 series. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating applied to the front and rear elements.
The Canon EF 300mm f/2.8L IS USM lens is expected to be available in December for an approximate retail price of $7,000.
Canon EF 400mm f/2.8L IS II USM lens
Quintessential for many sports assignments including baseball, football, soccer and golf, Canon’s professional 400mm f/2.8 lenses provide the light gathering capability and long telephoto reach that photographers need to freeze the action and fill the frame . The Canon EF 400mm f/2.8L IS II USM is the 5th generation in Canon’s 400mm f/2.8 series and the successor to the current EF 400mm introduced in 1999. The new lens has been engineered for the ultimate in optical performance through the use of two fluorite lens elements for improved quality and reduced chromatic aberration. Helping photographers in the field, Canon has reduced the overall weight of the lens by a substantial 28 percent from 189.4 oz to 135.8 oz, making it Canon’s lightest weight 400mm f/2.8 lens ever. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating is applied to the front and rear elements.
The Canon EF 400mm f/2.8L IS USM lens is expected to be available in December for an approximate retail price of $11,000.
Canon Extender EF 1.4x III & Canon Extender EF 2x III
The two new EF extenders are direct replacements of the current extenders offered by Canon as essential accessories for professionals. These new extenders have been designed to provide faster autofocusing and improved autofocus precision with compatible EF lenses. Each extender includes an anomalous dispersion lens element for reduced chromatic aberration and enhanced optical image quality. Each extender also features a newly developed microcomputer that increases AF precision when the extenders are used with a IS Series II EF super-telephoto lens. Both extenders are equipped with rubber gaskets and seals to enhance weather resistance. A new fluorine anti-smear coating is applied to the front and rear elements of both extenders.
The Canon Extender EF 1.4x III & Canon Extender EF 2x III are expected to be available in December for an approximate retail price of $500 each.
New Lens Features
In addition to an anti-reflection multi-coating, the front and rear elements of all newly announced EF lenses and extenders are treated with Canon’s new fluorine anti-smear lens coating. The fluorine layer is highly oil- and water-repellent so that any oil smears or water droplets on the lens can be wiped off quickly and easily without the aid of solvents using a soft dry cloth. These four new lenses and two new extenders are the first of their type to employ fluorine coating, and it is expected that this new feature will enhance the usability of the lenses during adverse shooting conditions.
The new Series II EF super-telephoto lenses can correct camera shake up to four full shutter speed steps, compared to two shutter speed steps for the original versions. This improvement is made possible by a new low-friction stabilizer mechanism that is not only more efficient than the previous design but also smaller and lighter. Other enhancements to the IS systems of both new super telephoto lenses have enabled quieter operation ideal for use during video capture.
Providing professional sports and wildlife photographers with greater tracking flexibility, Canon has introduced a third Image Stabilization mode option to its new EF 300mm f/2.8L IS II USM and EF 400mm f/2.8L IS II USM lenses. When mode 3 is selected on the lens, the image stabilization effect will not be seen in the viewfinder. When the shutter button is pressed halfway, the lens will begin detecting camera or lens movement and only during exposure, when the shutter is fully depressed, will the Image Stabilization engage and provide the equivalent of four stops faster compensation for blur-free images. The new Mode 3 is particularly useful when a photographer does not want to see the IS working in the viewfinder while tracking a moving subject.
Helping moviemakers achieve smoother and more appealing focus shifts when filming on EOS DSLR cameras, Canon has included a new Power Focus (PF) mode on the Company’s two new super telephoto lenses. This mode allows manual rack focusing to be operated smoothly by turning a playback ring that is normally used for the focus preset function. Both low-speed and high-speed focus shifting are available.
Additionally, a new security slot attachment has been included on both new super-telephoto lenses to allow a wire-type security lock to be easily affixed, a great safety feature for professionals shooting from high vantage points above arenas and crowds.
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with global revenues of US $35 billion, is listed as number six in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2010 list, and is on the 2009 BusinessWeek list of “100 Best Global Brands.” Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.
# # #
†Based on weekly patent counts issued by United States Patent and Trademark Office.
All referenced product names, and other marks, are trademarks or registered trademarks of their respective owners.
Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.
It’s not just the A580 and A560 that Sony is unveiling today; the company also has a pair of new DSLRs using its Translucent Mirror Technology, the 16.2-megapixel A55 and 14.2-megapixel A33, to show off. The new system trims things down by using a fixed, translucent mirror that splits the optical pathway between the main image sensor and a separate phase-detection autofocus sensor. Not only does that allow for a smaller camera, but it also means live image previews and phase detection autofocus are available all the time, both via the viewfinder and the adjustable 3-inch LCD display.
Meanwhile there’s also 10fps capture (in the A55; the A33 gets up to 7fps) and Full HD video recording in AVCHD format, with the A55 and A33 each able to use autofocus while shooting footage. The Auto HDR, 3D Sweep Panorama and multi-frame noise reduction are carried over from the A580 and A560, along with 15-point phase-detection autofocus.
Storage is via either Memory Stick PRO Duo or SD/SDHC/SDXC memory card, and each new Alpha is compatible with over 30 A-mount interchangeable lenses and offers SteadyShot INSIDE in-body image stabilization. They’ll both go on sale from September 2010.
Press Release:
Camera speed redefined: Sony introduces first Translucent Mirror Technology digital cameras Light, compact ?55 and ?33: up to 10fps shooting with high-speed AF tracking and Full HD movie
• ?55 (SLT-A55V) (16.2 megapixels) and ?33 (SLT-A33) (14.2 megapixels)
• Ultra-quick shooting up to 10fps with fast, precision phase detection AF
• First ever Quick AF HD Movie with smooth, continuous autofocus during video shooting
• Enhanced Quick AF Live View and 7.5 cm (3″) free-angle LCD, plus Tru-Finder (Electronic Viewfinder) with 100% coverage
• Advanced imaging functions including 3D Sweep Panorama, Auto HDR and multi-frame noise reduction
The ? (pronounced Alpha) family of interchangeable lens cameras from Sony grows with the compact, ultra-responsive new ?55 and ?33.
Sony’s first-ever digital cameras to employ Translucent Mirror Technology showcase an innovative optical system that opens up dramatic new shooting possibilities. In contrast with conventional DSLR cameras, Translucent Mirror Technology uses a fixed, translucent mirror that ‘splits’ the optical pathway between the main image sensor and a separate phase-detection autofocus sensor.
High-resolution live image preview with rapid, accurate phase detection autofocus is thus available at all times – either via the angle-adjustable 7.5cm (3”) LCD or precision Tru-Finder (electronic viewfinder). This also ensures that even moving objects stay in sharp focus at all times, whether you’re shooting Full HD video or stills.
Translucent Mirror Technology overcomes other traditional limitations of DSLR models, with its simplified mechanical design shrinking camera size and complexity. This makes the ?55 and ?33 a compelling choice for casual photographers who want to capture spontaneous family moments and travel scenes with less to carry.
Full-resolution shooting at up to 10fps with precise AF tracking
Ground-breaking Translucent Mirror Technology allows high-speed shooting with the ?55 at up to 10fps (?33: 7fps) in Continuous Priority AE mode. This represents the world’s fastest burst continuous AF shooting performance of any interchangeable lens camera with an APS-C size sensor.
A newly developed 15-point phase-detection autofocus system assures rapid, accurate AF tracking, keeping even moving subjects in sharp focus during continuous shooting. This enables the ?55 and ?33 to capture split-second action or fleeting nuances of expression with portrait subjects.
World’s first Quick AF Full HD movie shooting 1
The large sensor size Exmor™ APS HD CMOS Sensor inside both cameras lets photographers capture stunning, cinematic HD video footage with beautiful background defocus (bokeh) effects.
The?55 and ?33 also mark the debut of Quick AF Full HD movie shooting. Translucent Mirror Technology enables AVCHD 1080i video shooting with smooth, precise phase detection AF tracking of moving subjects. Real-time video image preview is now possible via the viewfinder – in contrast with DSLR cameras where the raised mirror prevents light from reaching the optical viewfinder during video shooting.
Effortless composition and image viewing
The?55 and ?33 enable exciting new possibilities for framing and viewing highest-quality video and still images. Already prized by step-up DSLR users and enthusiasts alike, Sony’s Quick AF Live View system is now more effective than ever. High-resolution live image preview is teamed with uncompromised phase detection AF performance – even with rapidly-moving subjects.
Tilting and swivelling freely (to maximum 270 degrees) for comfortable framing at any shooting angle, the bright 7.5 cm (3.0″) (16:9) Xtra Fine LCD offers superb detail and contrast.
There’s also a precision electronic viewfinder with 1.15 million dot resolution that delivers a clear, bright image with 100% frame coverage. Adjustments to exposure, depth of field and colour can be previewed instantly, either in the viewfinder or on the LCD. Effortless composition is aided further by switchable grid line in the finder and LCD screen, plus a new digital levelling gauge.
Enriched creative possibilities
The?55 and ?33 are compatible with the full range of over 30 A-mount interchangeable lenses and offer SteadyShot INSIDE. This in-body image stabilisation system provides up to 4 exposure steps of anti-shake correction when shooting handheld.
Both cameras also feature 3D Sweep Panorama, allowing photographers to capture detail-packed extra-wide panoramas with a huge field of view. 3D panoramas can be enjoyed on any compatible 3D HD television. The SLT-A55 is also the first ? camera by Sony with integrated GPS, allowing automatic geo-tagging of images and video clips.
The new-generation Exmor™ APS HD CMOS Sensor inside both cameras supports a sophisticated range of digital image compositing and processing functions. This gives even greater artistic possibilities to beginners and photo enthusiasts alike.
Auto HDR is now refined further compared with previous-generation ? models. Data from a burst of three frames at bracketed exposure values is automatically combined, creating a single image with extended highlight and shadow detail Multi-frame Noise Reduction ‘stacks’ a high-speed burst of six frames, creating a single low-noise exposure that boosts effective sensitivity as high as ISO 25600.
The new cameras accept both Memory Stick PRO Duo™ (including Memory Stick PRO-HG Duo™) and SD (including both SDHC and SDXC formats) media (all sold separately). Memory Stick PRO-HG Duo HX 30MB per second transfer rate offers the best performance during cameras’ continuous shooting mode or when transferring the data to another media.
The new?55 and ?33 Single Lens Translucent mirror cameras by Sony are available from September 2010.
*1 among consumer oriented interchangeable lens digital cameras as of 24.Aug
Key Features
SLT-?55V / SLT-A33
Type
Interchangeable lens digital camera with built-in flash
Lens Compatibility
Sony ? lens, Minolta and Konica Minolta AF lens
Image Sensor
A55:
Exmor™ APS HD CMOS 16.2 effective megapixels (approx.)
A33:
Exmor™ APS HD CMOS 14.2 effective megapixels (approx.)
Processor
BIONZ™ image processor
ISO Sensitivity Range
ISO 100 – 12800 (Extended: ISO 25600 in Multi Frame NR Mode)
Image Quality Modes
JPEG (fine, standard), RAW, RAW + JPEG
HDMI Connector and BRAVIA Sync
HDMI mini connector (Type C), BRAVIA Sync (Sync menu), PhotoTV HD
Image Size: 3:2 (pixels)
A55:
L size: 4912×3264 (16M)
M size: 3568×2368 (8.4M)
S size: 2448×1624 (4M)
A33:
L size: 4592×3056 (14M)
M size: 3344×2224 (7.4M)
S size: 2288×1520 (3.5M)
HD movie record
Quick AF Full HD movie with phase-detection autofocus
AVCHD: 1920 x 1080i (16:9)
MP4: 1440 x 1080 (16:9) / 640 x 480 (4:3)
Max record time: 29 mins
Electronic Viewfinder
Electronic Viewfinder “Tru-Finder” (Xtra Fine) (1.15 million dots effective resolution), with 100% frame coverage
Digital level gauge, shooting information and grid line display modes
LCD
7.5cm (3”) TFT (Xtra Fine LCD) with 921k dot resolution; variable-angle tilt/swivel mechanism
Live View System
Quick AF Live View
SteadyShot INSIDE
YES
Anti-dust System
Coating on low pass filter, plus image-sensor shift
Focus Modes
AF/MF selectable
AF modes: Single-shot AF, Automatic AF, Continuous AF
Autofocus System
TTL 15-point phase detection AF system with 3 cross sensors
Exposure Modes
Programmed AE (AUTO, AUTO – Flash Off, P), Aperture priority, Shutter priority, Manual, Scene selection
Exposure Metering System
1200-zone evaluative metering
Exposure Metering Modes
Multi-segment, Centre-weighted, Spot
Scene Selection
Portrait, Landscape, Macro, Sports, Sunset, Night portrait/Night view, Hand-held Twilight
Sony has announced its latest high-end DSLRs, the 16.2-megapixel A580 and 14.2-megapixel A560, each capable of Full HD video recording and up to 7fps stills. Both models get a new, 15-point phase-detection autofocus system, the 3D sweep panorama we’ve seen from the NEX-5 and SteadyShot INSIDE in-body sensor shift image stabilisation.
There’s also an Auto HDR mode – which combines three burst frames to produce a single HDR image – and multi-frame noise reduction, which uses information from up to six frames to produce the equivalent of up to ISO 25600. Video can be recorded in either AVCHD or MP4 format, and both Alphas have Memory Stick PRO Duo and SD/SDHC/SDXC card slots.
On the back there’s an articulated 3-inch LCD display with Quick AF Live View, together with a 95-percent frame coverage viewfinder. The Sony DSLR-A580 will drop in October this year, while the Sony DSLR-A560 will follow on in Q1 2011.
Press Release:
Sony introduces high performance DSLR cameras with Full HD video Fully-featured ?580 with newly developed 16.2M Exmor APS HD CMOS censor, up to 7fps shooting, and Auto HDR
• DSLR-A580 (16.2 megapixels) and DSLR-A560 (14.2 megapixels)
• Fast, responsive shooting up to 7fps
• New 15-point phase-detection autofocus system for rapid, accurate AF tracking
• Full HD Movie shooting
• Advanced imaging functions including 3D Sweep Panorama, Auto HDR and Multi Frame Noise Reduction
Appealing to photographers ready to explore sophisticated new creative possibilities, the DSLR-A580 and DSLR-A560 from Sony offer unparalleled levels of imaging refinement.
At the heart of both is a new-generation Exmor™ APS HD CMOS Sensor processor. Together with the latest iteration of Sony’s powerful BIONZ imaging processor, it supports high-speed continuous shooting plus a sophisticated range of digital image compositing and processing functions. This gives even greater artistic possibilities to beginners and photo enthusiasts alike.
The A580 and A560 can freeze fleeting photo opportunities at up to 7 fps in Speed Priority Continuous Advance mode. What’s more, Sony’s popular Quick AF Live View system is now more effective than ever. The benefits of live image preview are maximised by a newly developed 15-point phase-detection autofocus system that keeps even moving subjects in pin-sharp focus.
The DSLR-A580 and A560 are compatible with the full ? range of over 30 A-mount interchangeable lenses of Sony and Carl Zeiss and offer SteadyShot INSIDE. This in-body sensor shift image stabilisation system provides up to 4 exposure steps of anti-shake correction when shooting handheld.
Full HD movie shooting
Both the A580 and A560 offer Full HD video shooting. Just touch the dedicated Movie button and record detail-packed HD videos and crisp stereo sound in a choice of AVCHD 1080i or web-friendly MP4 formats. Thanks to the large, high-resolution Exmor™ APS HD CMOS Sensor, it’s possible to capture stunning HD movie clips with beautiful background defocus (‘bokeh’) effects.
Effortless composition and image viewing
The A580 and A560 enable exciting new possibilities for framing and viewing the highest-quality still images and video.
Articulating up or down for comfortable framing in any shooting position, the bright 7.5 cm (3.0″) Xtra Fine LCD offers a bright, high contrast view with superb detail and colours.
As an additional refinement, new Focus Check Live View mode simplifies critical assessment of the finest image details. A real-time ‘feed’ from the main sensor can be viewed on the LCD monitor, with switchable magnification allowing close-up confirmation of delicate manual focus adjustments. Contrast AF method is selectable in focus check Live View mode.
DSLR enthusiasts will also welcome the bright, high contrast optical viewfinder with 95% frame coverage that provides a supremely detailed view while composing still images. Depth of field preview is now available at the touch of a button.
Both cameras feature 3D Sweep Panorama, allowing photographers to capture detail-packed extra-wide panoramas with a huge field of view. 3D panoramas can be enjoyed on any compatible 3D HD television.
Auto HDR is now refined further compared with previous-generation ? models. Data from a burst of three frames at bracketed exposure values is automatically combined, creating a single image with extended highlight and shadow detail. Multi-frame Noise Reduction ‘stacks’ a high-speed burst of six frames, creating a single low-noise exposure that boosts effective sensitivity as high as ISO 25600.
The new cameras accept both Memory Stick PRO Duo™ (including Memory Stick PRO-HG Duo™) and SD (including both SDHC and SDXC formats) media (all sold separately). Memory Stick PRO-HG Duo HX 30MB per second transfer rate offers the best performance during cameras’ continuous shooting mode or when transferring the data to another media.
The new DSLR-A580 digital SLR camera by Sony is available from October 2010. The new DSLR-A560 digital SLR camera by Sony is available within the first quarter of calendar year 2011.
Key Features
DSLR-?580 / DSLR-A560
Type
Interchangeable Lens Digital Camera with built-in flash
Lens Compatibility
Sony ? lens, Minolta and Konica Minolta AF lens
Image Sensor
A580
Exmor™ APS HD CMOS 16.2 effective megapixels (approx.)
A560
Exmor™ APS HD CMOS 14.2 effective megapixels (approx.)
Processor
BIONZ™ image processor
ISO Sensitivity Range
ISO 100 – 12800 (Extended: ISO 25600 in Multi-Frame NR Mode)
Image Quality Modes
JPEG (fine, standard), RAW, RAW + JPEG
HDMI Connector and BRAVIA Sync
HDMI mini connector (Type C), BRAVIA Sync (Sync menu), PhotoTV HD
Image Size: 3:2 (pixels)
A580
L size: 4912×3264 (16M)
M size: 3568×2368 (8.4M)
S size: 2448×1624 (4M)
A560
L size: 4592×3056 (14M)
M size: 3344×2224 (7.4M)
S size: 2288×1520 (3.5M)
HD movie record
AVCHD: 1920 x 1080i (16:9) (59.94i recording, 29.97 fps image sensor output / Average bit rate 17 Mbps)
MP4: 1440 x 1080 (16:9) (29.97 fps / Average bit rate 12 Mbps) / 640 x 480 (4:3) (29.97 fps / Average bit rate 3 Mbps)
Max record time: Without SteadyShot Inside 29 minutes, with SteadyShot Inside 14minutes on the ?580 and 24 minutes on the ?560
at a room temperature
Viewfinder
Fixed eye-level, penta-Dach-mirror type Optical Viewfinder
Approx. 95% coverage, 0.8x magnification (with 50mm lens at infinity)
LCD
7.5cm (3”) TFT (Xtra Fine LCD) with 921k dot resolution; 2-way tilting mechanism
Live View System
Quick AF Live View?(pentamirror tilt system)
Focus Check Live View
Focus system TTL phase detection system / Contrast AF selectable
Display Real-time image adjustment display (reflects exposure compensation, white balance, Sunset / B&W of Creative Style )*
* Available only during AE lock
SteadyShot INSIDE
YES
Anti-dust System
Coating on low pass filter, plus image-sensor shift
Focus Modes
AF/MF selectable
AF modes: Single-shot AF, Automatic AF, Continuous AF
Autofocus System
TTL 15-point phase detection AF system with 3 cross sensors (11-point with optical viewfinder)
Exposure Modes
Programmed AE (AUTO, AUTO – Flash Off, P), Aperture priority, Shutter priority, Manual, Scene selection
Exposure Metering System
(Live View): 1200-zone evaluative
(Viewfinder): 40-segment honeycomb pattern
Exposure Metering Modes
Multi-segment, Centre-weighted, Spot
Scene Selection
Portrait, Landscape, Macro, Sports, Sunset, Night portrait/Night view, Hand-held Twilight
Canon’s head of Image Communication Products, Masaya Maeda, has revealed that Nikon isn’t the only company looking at a new high-end compact camera. Speaking as Canon increased their sales forecasts, Maeda confirmed that the company is looking at a new compact camera that could be a mini-DSLR; “It’s not a question of whether or not you have a mirror,” he told reporters, “there is a consumer need for good-quality cameras to be made smaller.”
“We will meet this need” he went on to declare, dismissing doubts that it would be possible in a model that used an internal mirror and pointing to Canon’s track record of producing small-frame DSLRs. However he declined to outline any specific details or hardware specifications.
The new Canon camera will go up against micro-four-thirds models such as from Panasonic and Olympus, together with Sony’s recent range of NEX interchangeable lens cameras. All of these have bypassed internal mirror designs.
Rumors of a replacement for Nikon’s D90 DSLR have been fuelled by reports that the company is requesting the return of retail demo units. According to Nikon Rumors, employees at a major retailer are reporting that “all stores have been told to remove demo Nikon D90 bodies from display and send them back to head office,” while others claim the Nikon SB-600 flash is also up for replacement at Photokina 2010.
Details of the D90’s replacement are scant at present, though previous rumors pegged the upcoming DSLR as potentially supporting 39 autofocus points and having a 16-megapixel sensor. It would also get 6400 ISO support and HI2, the ability to record 1080p 24fps HD video and compatibility with a new, optional MD-B11 grip. Photokina 2010 kicks off in September this year.
Nikon’s camera plans are once again in the headlines, as company president Makoto Kimura reveals plans to launch a new model potentially as early as this financial year. According to Bloomberg, the camera may have an “enhanced function” for recording video (and could, the news site suggest, also be mirrorless) being a “new concept” for Nikon in Kimura’s words.
The move would follow Panasonic and Sony’s launch of interchangeable-lens mirror-free cameras, and be part of Nikon’s push to drive sales of cameras with interchangeable lenses to 6.65 million units by March 2013, a rise of around 80-percent. The new Nikon “could be [released] any time this fiscal year or the following year, as new models are starting to sell” he confirmed, though declined to be more specific about timescales or specifications.
